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Details Title Christ Presented to the People (Ecce Homo) Dated c. 1653 Artist Rembrandt van Rijn Nationality Dutch Artist Life 1606 - 1669 Role Artist Gallery Not on View Department European Art Dimension 14 1/8 x 17 13/16 in. (35.88 x 45.24 cm) (plate) Credit Bequest of Herschel V. Jones
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Rembrandt Ecce Homo. Literature; Iconclass; Rembrandt Ecce Homo c. 1637 334 x 270 mm Red chalk Kupferstich-Kabinett, Dresden. Literature Catalogues raisonnés HdG 221 Benesch 1954-57 135 Schatborn D44 Iconclass 73D36 Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6)
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. The paintings of Rembrandt van Rijn (1606-69) have a long-standing appeal to Kossoff, whose output includes numerous drawings and prints derived from close study of Rembrandt's work in the National Gallery.
Rembrandt's 'Ecce Homo' YouTube
The monumental Ecce Homo depicts the moment when Pilate's wife (seen here in the upper left hand window) 'sent word to him to have nothing to do with that righteous man for I have suffered much over him today in a dream'.
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Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.
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Dating from 1655, Ecce Homo ( Christ presented to the people) is one of Rembrandt's largest etchings. The work depicts the New Testament scene in which Pontius Pilate asks the people of Jerusalem to decide whether Jesus or Barabbas should be spared execution.
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Pablo Picasso. "Ecce Homo," after Rembrandt from Suite 156. 1970, published 1978 | MoMA Visit Art and artists Pablo Picasso "Ecce Homo," after Rembrandt from Suite 156 1970, published 1978 Not on view Like many artists, Picasso looked to the history of art for inspiration.
Ecce Homo; Albrecht Durer Reproduction Oil Paintings
Rembrandt Harmensz. van Rijn 1606 - 1669. Ecce Homo (1634) oil on paper (54 × 44 cm) — 1634 The National Gallery, London Rembrandt Harmensz. van Rijn biography. This work is linked to John 19:5. Ecce Homo, Behold the Man, says Pilate as he presents Jesus to the Jewish people and its priests.The latter are shown with rather twisted faces, perhaps in order to emphasize the treacherous.
Ecce Homo, a statue by Jacob Epstein, in the ruins of the old Coventry
perhaps identical with the `Ecce Homo' in grisaille in the inventory of Rembrandt's goods made in July 1656 in connection with his bankruptcy. possibly in the inventory of Jan van de Cappelle's possessions made between January and August 1680. according to Smith it was sold with another grisaille in the Willem Six sale, Amsterdam, 12 May 1734.
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Rembrandt stages the scene with a multitude of figures, each responding individually to the events on the dais. Pilate, with the long staff, points at Christ and leaves the choice to the people to release either 'the King of the Jews' or the murderer Barabbas. The outcome is known.
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File: Rembrandt, Christ before Pilate (Ecce Homo), 1634, National Gallery, London.jpg
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Details Title: Christ Presented to the People (Ecce Homo) Creator: Rembrandt van Rijn Creator Lifespan: 1606 - 1669 Date: 1655 Location: Netherlands Physical Dimensions: w17.69 x h13.88 IN.
Rembrandt Harmensz. van Rijn Ecce Homo (1655)
'From Rembrandt: Ecce Homo', Leon Kossoff, 1999. Summary. This print. is one of many works executed by the London-based artist Leon Kossoff in response to Old Master paintingsThe paintings of Rembrandt van Rijn (1606-69) have a long-standing appeal to Kossoff, whose output includes numerous drawings and prints derived from close study of Rembrandt's work in the National Gallery.
Ecce homo, homage Pierre Bamin
Christ Presented to the People (Ecce Homo) The crowd surrounding Jesus here is not asking for help but demanding that the Roman governor, Pontius Pilate, put him to death. In his suggestive rendition of the scene's urban setting, Rembrandt shows his talent for depicting architecture. Although pursuing the tradition of the great engravers of.
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